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artist’s concept contrasts our familiar Earth with the exceptionally strange planet known as 55 Cancri e. While it is only about twice the size of the Earth, NASA's Spitzer Space Telescope has gathered surprising new details about this supersized aThis artist’s concept contrasts our familiar Earth with the exceptionally strange planet known as 55 Cancri e. While it is only about twice the size of the Earth, NASA's Spitzer Space Telescope has gathered surprising new details about this supersized and superheated world. Astronomers first discovered 55 Cancri e in 2004, and continued investigation of the exoplanet has shown it to be a truly bizarre place. The world revolves around its sun-like star in the shortest time period of all known exoplanets – just 17 hours and 40 minutes. (In other words, a year on 55 Cancri e lasts less than 18 hours.) The exoplanet orbits about 26 times closer to its star than Mercury, the most Sun-kissed planet in our solar system. Such proximity means that 55 Cancri e's surface roasts at a minimum of 3,200 degrees Fahrenheit (1,760 degrees Celsius). The new observations with Spitzer reveal 55 Cancri e to have a mass 7.8 times and a radius just over twice that of Earth. Those properties place 55 Cancri e in the "super-Earth" class of exoplanets, a few dozen of which have been found. However, what makes this world so remarkable is the resulting low density derived from these measurements. The Spitzer results suggest that about a fifth of the planet's mass must be made of light elements and compounds, including water. In the intense heat of 55 Cancri e's terribly close sun, those light materials would exist in a "supercritical" state, between that of a liquid and a gas, and might sizzle out of the planet's surface. Only a handful of known super-Earths, however, cross the face of their stars as viewed from our vantage point in the cosmos. At just 40 light years away, 55 Cancri e stands as the smallest transiting super-Earth in our stellar neighborhood. In fact, 55 Cancri is so bright and close that it can be seen with the naked eye on a clear, dark night.https://nodoartes.blog/wp-content/uploads/2019/06/dior-kim-jones-yoon-ahn-pre-fall-2019-tokyo-backstage-7.jpgdior-kim-jones-yoon-ahn-pre-fall-2019-tokyo-backstage-7https://nodoartes.blog/wp-content/uploads/2019/06/bernal_construction_ac76-1288_5716.jpgBernal_Construction_AC76-1288_5716https://nodoartes.blog/wp-content/uploads/2019/06/external_view_of_a_bernal_sphere.jpgExternal_view_of_a_Bernal_spherehttps://nodoartes.blog/wp-content/uploads/2019/06/spacecolony3edit.jpeg.jpegSpacecolony3edit.jpeghttps://nodoartes.blog/wp-content/uploads/2019/06/descarga-1.jpgdescarga 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Inventar-Nr.: L 2860 Künstler: Siedhoff-Buscher, Alma (1899 - 1944) Gegenstand: Schiffbauspiel Datierung: 1923 Technik: Holz, farbig gefaßt Material: Holzbausteine, farbig lackiert Maße: 26,00 cm x 6,00 cm x 5,00 cm -------------------https://nodoartes.blog/wp-content/uploads/2019/05/bauhaus-women-4.jpg1994-10-31994-10-3https://nodoartes.blog/wp-content/uploads/2019/05/bauhaus-women-3.jpgBauhaus-Women-3Working Title/Artist: Tea infuser and strainer Department: Modern Art Culture/Period/Location: HB/TOA Date Code: Working Date: ca. 1924 photography by mma 2000, transparency #5 scanned and retouched by film and media (jn) 1_19_05https://nodoartes.blog/wp-content/uploads/2019/05/bauhaus-women-2.jpgBauhaus-Women-2https://nodoartes.blog/wp-content/uploads/2019/05/bauhaus-women-1.jpgBauhaus-Women-12019-05-23T22:02:39+00:00monthlyhttps://nodoartes.blog/2019/05/06/presentacion-libro-6-de-mayo-530-pm-filbo2019/https://nodoartes.blog/wp-content/uploads/2019/05/1551454945_132024_1551455596_noticia_normal.jpg1551454945_132024_1551455596_noticia_normalhttps://nodoartes.blog/wp-content/uploads/2019/05/01-free.jpg01-freehttps://nodoartes.blog/wp-content/uploads/2019/05/59463638_2843848538988532_1617734693719900160_n.jpg59463638_2843848538988532_1617734693719900160_nhttps://nodoartes.blog/wp-content/uploads/2019/05/59839726_2843848628988523_8520488634430783488_n.jpg59839726_2843848628988523_8520488634430783488_nhttps://nodoartes.blog/wp-content/uploads/2019/05/45088613_2228949864096484_4623679083241275392_o.jpg45088613_2228949864096484_4623679083241275392_o2019-05-06T14:19:44+00:00monthlyhttps://nodoartes.blog/2019/04/22/piensa-mal-y-acertaras/https://nodoartes.blog/wp-content/uploads/2019/04/mario.jpgmariohttps://nodoartes.blog/wp-content/uploads/2019/04/ignacio.jpgignaciohttps://nodoartes.blog/wp-content/uploads/2019/04/felipe.jpgFelipehttps://nodoartes.blog/wp-content/uploads/2019/04/karim.jpgKArimhttps://nodoartes.blog/wp-content/uploads/2019/04/8638_cubierta_202.png8638_cubierta_202https://nodoartes.blog/wp-content/uploads/2019/04/libro1.jpglibro1https://nodoartes.blog/wp-content/uploads/2019/04/2108_cubierta_201.png2108_cubierta_201https://nodoartes.blog/wp-content/uploads/2019/04/3211_cubierta_178.jpg3211_cubierta_178https://nodoartes.blog/wp-content/uploads/2019/04/yhonathan.jpgYhonathan2019-04-30T16:50:34+00:00monthlyhttps://nodoartes.blog/2019/04/15/un-dialogo-entre-la-ilustracion-y-el-diseno-de-el-malpensante/https://nodoartes.blog/wp-content/uploads/2019/04/7526_rtd_crowdfunding_librosin.jpg7526_rtd_crowdfunding_librosin2019-04-15T13:45:35+00:00monthlyhttps://nodoartes.blog/2019/04/08/lanzamiento-estilo-oficio-y-arte-editorial/https://nodoartes.blog/wp-content/uploads/2019/04/54514740_2301557733415263_6355892608362872832_o.jpg54514740_2301557733415263_6355892608362872832_o2019-04-08T12:47:52+00:00monthlyhttps://nodoartes.blog/2019/04/01/lecturas-paradojicas/https://nodoartes.blog/wp-content/uploads/2019/04/illustration-magoz-01.gifillustration-magoz-01https://nodoartes.blog/wp-content/uploads/2019/04/89594.jpgWhite textbook cover design mockupWhite textbook cover design mockup2019-04-01T19:13:27+00:00monthlyhttps://nodoartes.blog/2019/03/27/de-la-universidad-al-jardin-del-jardin-a-la-universidad-o-sobre-formas-de-contar-otros-mundos/https://nodoartes.blog/wp-content/uploads/2018/10/40326164331_10e12c6507_b.jpg40326164331_10e12c6507_bhttps://nodoartes.blog/wp-content/uploads/2018/10/jessie_willcox_smith_-_the_water_babies_-_p236_restored.jpgJessie_Willcox_Smith_-_The_Water_Babies_-_p236_(Restored)https://nodoartes.blog/wp-content/uploads/2018/07/5420db77b65468eea8f431f4e88a4fb7.jpg5420db77b65468eea8f431f4e88a4fb72019-03-27T16:29:15+00:00monthlyhttps://nodoartes.blog/2019/03/20/voces-y-cuerpos-de-la-comunidad-y-sus-investigadores/https://nodoartes.blog/wp-content/uploads/2018/04/labio-de-liebre2-andrc3a9s-gc3b3mez.jpgLABIO-DE-LIEBRE2-Andrés-Gómez2019-03-21T15:03:54+00:00monthlyhttps://nodoartes.blog/2019/03/18/abracemos-la-paz/https://nodoartes.blog/wp-content/uploads/2019/03/paz.jpgPAZ2019-03-18T16:19:17+00:00monthlyhttps://nodoartes.blog/2019/03/08/carta-mi-hija-charles-chaplin/https://nodoartes.blog/wp-content/uploads/2019/03/djc6j4cuuaakxzu.jpgDjc6J4cUUAAkxZUhttps://nodoartes.blog/wp-content/uploads/2019/03/123fdf2d087e50c4eba3e4670c3f9b49.jpg123fdf2d087e50c4eba3e4670c3f9b49https://nodoartes.blog/wp-content/uploads/2019/03/740full-geraldine-chaplin.jpg740full-geraldine-chaplinhttps://nodoartes.blog/wp-content/uploads/2019/03/geraldine-chaplin.jpggeraldine-chaplinhttps://nodoartes.blog/wp-content/uploads/2019/03/geraldinechaplinpadre-1534422064.jpggeraldinechaplinpadre-1534422064https://nodoartes.blog/wp-content/uploads/2019/03/8303b115-5447-416e-9d95-a574f3a4bae8.jpg8303b115-5447-416e-9d95-a574f3a4bae82019-03-08T14:26:37+00:00monthlyhttps://nodoartes.blog/2019/10/31/la-melancolica-muerte-del-chico-ostra-y-otras-historias-tim-burton/https://nodoartes.blog/wp-content/uploads/2019/03/c83bc5fd20dcd52485de09859c82ae58.jpgc83bc5fd20dcd52485de09859c82ae582019-03-08T04:23:37+00:00monthlyhttps://nodoartes.blog/2019/10/16/bill-gates-lo-que-un-legendario-artista-puede-ensenarnos-sobre-la-innovacion/https://nodoartes.blog/wp-content/uploads/2019/03/tumblr_n7dbcpcpsw1rqpa8po1_500.giftumblr_n7dbcpcpsW1rqpa8po1_500https://nodoartes.blog/wp-content/uploads/2019/03/leonardo_provensen2.gifleonardo_provensen2https://nodoartes.blog/wp-content/uploads/2019/03/og-aw187_201709_gr_20170929114302.gifOG-AW187_201709_GR_20170929114302https://nodoartes.blog/wp-content/uploads/2019/03/optimist-op-ed-bill-gates.jpgSheet Discussing Centers of Gravity of the Earth and Moon from Codex Leicester by Leonardo da Vinci(Original Caption) : Sheet 2A: Leonardo first discusses gravities, or centers, as he evaluates earlier theories on the composition of the world. On folio 2r, he explores the moon?s substance and weight, saying that it follows the same physical laws as the earth, and names the light source of the new moon?s illuminated crescent. 35V SYNOPSIS: This page begins with a question: Does earth or water cover more of the planet? Leonardo postulates an equal amount of each. The simple diagram of a triangle inscribed in a circle demonstrates the balance of actual materials that make up the planet. This balance allows Leonardo to speculate further on how the gravity of the planet is also maintained in dynamic balance. Leonardo considers gravity in terms very different from ours. 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YahuarcacaLagos Yahuarcaca como otros lagos estan poblados de naturaleza vida y misterio con los guardianes de anacondas gigantes que cuidan los portales a otros mundos. las lenguas y los animales antes tuvieron una relación mucho mas estrecha que la de nuestro lenguaje, un recuerdo de la serpiente cabalista. de Francisco Toledo.https://nodoartes.blog/wp-content/uploads/2016/05/12308432_10153782005096170_6226047001085907516_n.jpgCaza de dantaObra de teatro mítica fundacional, organizada por NAtutama en donde se recrean los mundo terrestres y acuáticos a traves del Manati y la Dantahttps://nodoartes.blog/wp-content/uploads/2016/05/12299145_10153782004556170_6416170264250283310_n.jpg12299145_10153782004556170_6416170264250283310_nEl maestro de la institución educativa de la comunidad de San Sebastián los lagos, un docente etno-educador que recibe estudiantes huitotos, cocamas, tikunas, andoques y que construye cosmovisión sabiduría y conocimiento ancestral, es muy difícil para el hombre mestizo despojarse de las categorías de saber impuestas por nuestras culturas para construir un nuevo discurso a partir del saber ancestral, es casi como cambiar de mundo es casi imposible salir del logocentrsmo de nuestra cultura.https://nodoartes.blog/wp-content/uploads/2016/05/12299114_10153782003746170_2939603008347377567_n.jpg12299114_10153782003746170_2939603008347377567_nEl maestro Bufeo, tallerista del Sena utiliza los recursos del arte para darle una oportunidad a la comunidad crea esculturas costumbristas y naturalistas en donde a partir del problema de las basuras utiliza el vacío de las mismas para crear un museo de figuras en donde guarda las basuras que la empresa de Leticia no recicla, utiliza los recursos problemáticos de la región como material de construcción. https://nodoartes.blog/wp-content/uploads/2016/05/12274568_10153757284711726_2120565800447320937_n.jpg12274568_10153757284711726_2120565800447320937_nMaloka tradicional, aunque quedan ya pocas en las riveras de los ríos aun es una manera tradicional de construir .https://nodoartes.blog/wp-content/uploads/2016/05/12246626_10153782005111170_8067456703337920487_n.jpg12246626_10153782005111170_8067456703337920487_nTambor Tikuna y sonajero, Los hombres elaboran tambores con pie curtida de venado, templada con fibra de chambira sobre una caja de resonancia de corteza de madera. Estos tambores son de uso ritual en la "fiesta de pelazón" y luego pueden ser vendidos. Las mujeres hacen collares entretejiendo sobre una fibra de chambira plumas de colores, ala de insectos, semillas, caracoles y huesecillos de animales para su uso o para la venta. https://nodoartes.blog/wp-content/uploads/2016/05/12208676_10153746552471170_6417261396698676706_n.jpg12208676_10153746552471170_6417261396698676706_nLas aulas de clase no son simples salones desnaturalizados del poder de la selva y los dioses están cargados, de un poder un saber que permite la comunicación del mundo y el sentir de los hombres, no existe la asignatura religion existe cosmovisión, no existe la huerta existe la chagra,https://nodoartes.blog/wp-content/uploads/2016/05/12193285_10153746562146170_824498517271438669_n.jpg12193285_10153746562146170_824498517271438669_nLa geometría es el pensamiento abstracto que en la selva rige a los hombres, la estructura que le permite te diferenciarse de los otros seres, el saber ancestral de los dioses el conocimiento del mundo a través de los sueños y el intelecto del hombre.https://nodoartes.blog/wp-content/uploads/2016/05/12190004_10153746564351170_251706046630466537_n.jpg12190004_10153746564351170_251706046630466537_nLa selva amazónica ante los ojos tiene esa capacidad reflexionada por Kant en la naturaleza en donde se encuentra lo sublime dinámico y lo sublime matemático, lo sublime matemático lo que es absolutamente grande, lo infinito. 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Gevel als Stijl-element, een provocatie. De belettering is onderdeel van het gevelontwerp. Bedoeld als tijdelijk. In oorlog verwoest geweest. Stond op Calandplein. 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Britto - Rebecca SiqueirosRomero Britto paintings at the Wynnwood Studio. June 2, 2006https://nodoartes.blog/wp-content/uploads/2016/12/13006aecb445f63f1819ff131648b3cb.jpg13006aecb445f63f1819ff131648b3cbhttps://nodoartes.blog/wp-content/uploads/2016/12/e92e1219f1aac04d1eeb532b8f83bbc5.jpge92e1219f1aac04d1eeb532b8f83bbc5https://nodoartes.blog/wp-content/uploads/2016/11/05.jpg05https://nodoartes.blog/wp-content/uploads/2016/11/04.jpg04https://nodoartes.blog/wp-content/uploads/2016/11/03.jpg032016-11-24T23:04:11+00:00monthlyhttps://nodoartes.blog/2016/11/27/louis-althusser-mas-alla-de-las-ideologias/https://nodoartes.blog/wp-content/uploads/2016/11/56-288806-18-yajyu-kaorin.jpg56-288806-18-yajyu-kaorinhttps://nodoartes.blog/wp-content/uploads/2016/11/853_10.jpg853_10XIR194753 Credit: Carriages and Promenaders on the Avenue des Champs-Elysses (w/c on paper) by Guys, Constantin (1802-92) Musee de la Ville de Paris, Musee Carnavalet, Paris, France/ Giraudon/ The Bridgeman Art Library Nationality / copyright status: French / out of 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